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Click here3 am,
I do stretches and long to listen to loud music,
Boneshake "In a Silent Way"
But Miles is Sketching Spain
And the minutes creep-
You come to,
"whatcha doin baby?"
I chalked it up to all day coffee
After a splendid dinner,
"just touching the ceiling sweets."
Moments later you sit up, me in your chair
And you in the hand me down half couch
Questioning should I try
As newsboys and donutbakers rattle and roll
Out on the river road
And I can hear the snow melt and
Smell the mud a month too early,
Haul off the Juice in the Fugue Hour, Fridge Light, then
Crawl like a crab, sidewise, under powderblue Snowgoose sheets,
Beseeched "roll over and let me get the hip"
And my breathing slows as you go,
Funny Valentine Count Basie snickers tween us-
Fuck it, still dark, I'm going for a paper
It's only 33 till 5 and you are tapping like a
Titmouse, amusing me with whiskered profile
And I get Neil, of selective hearing, night man leans in and says "huh?"
Old boy ain't foolin me and it's still dark as a piss ant as I ascend,
Upward, the key and
The keys to the day jangle in my warm hand.
Too early for the Stones
Late enough for Bartok,
Perhaps Vaughn-Williams-
All that matters flashes across your face
As I bend to peck your lips with my glasses slung low
On my beak.
What can I say about this poem? It's a hundred miles away from sucking? I don't know. I love it and I can't think of anything else to say despite all the coffee I just drank.
like a nosy neighbour. This is written with so much feeling it's almost too intimate for comfort but that's because you paint the scene so clearly. Ain't love wonderful!
Tess
Try long necks and country songs, that does the trick
for me. Just one thing, it's never too early for the
Stones, they are up away. A lot going on in this poem.
I think that fits the moment well. sandspike